dramatis personae

英 [ˌdræmətɪs pɜːˈsəʊnaɪ]

美 [ˌdræmətɪs pɜːrˈsoʊni]

n.  全体剧中人物

牛津词典

noun

• 全体剧中人物
  all the characters in a play in the theatre

柯林斯词典

• (一出戏中的)剧中人物，全部角色
  The characters in a play are sometimes referred to asthe dramatis personae.

英英释义

noun

• the actors in a play
  Synonym:castcast of characters

双语例句

• PERSONAGE The Application of Dramatis Personae in Idiom and its Natural Culture
  从民族文化看人物习语
• FTL meme refers to the vocal language of dramatis personae in films or TV programs imitated and transmitted from mind to mind.
  影视语言模因是指被复制和传播的电影电视节目中人物的有声语言。
• Dramatis personae created by Camus have many same characteristic with those classic tragic heroes. And we can associate them together easily.
  加缪作品的主人公具备同古典悲剧主人公相似的性格特征，其人物形象也能让我们联想到很多经典的悲剧人物。
• This papre trying to analyze on dramatis personae charles's unnatural and natural life to discuss the meaning that human existing, from the point of philosophic theory of existentialism.
  本文试图从存在主义哲学理论出发，通过分析主人公查尔斯的非本真和本真生活来探讨人生存在的意义。
• National culture, traditional custom, historical tradition and social development are the important sources of dramatis personae in idioms.
  民族文化、风俗习惯、历史传统以及社会发展等是人物习语的重要来源。
• This paper investigates on the consciousness of watching& guarding represented from pure texts of Writer Xue Tao's youth novel, neither simply on the writer's nor the dramatis personae's from these works.
  本文研究的重点不是作家薛涛的守望意识，也不单纯是薛涛少年小说中人物的守望意识，而是薛涛少年小说文本本身所表现出来的守望意识。
• The second chapter: "Self and" himself are transformed into "author" and "dramatis personae".
  第二章、自我与他者关系的转换：作者与主人公。
• Therefore, chapter two and chapter three start to research mostly from the dramatic elements of the opera, it explores the theme of the opera and the causes of the romantic tragedy from the plot and the dramatis personae.
  因此第二章第三章主要从歌剧的戏剧元素进入研究，从歌剧选材和歌剧人物入手，对歌剧主题及爱情悲剧的成因进行考察。
• The great significance of Horney's ideology is to analyze and understand the mental conflict of the dramatis personae.
  霍尔奈的理论对于分析和理解文学作品的人物心理冲突具有十分重大的意义。
• In the form, both Nauseous and Stranger are accounts in dramatis personae's own words, syncretizing the literary side and philosophical side.
  在形式上，《恶心》与《局外人》都是主人公的自述，文学与哲学融为一体；